Wednesday, June 6, 2007

KILLER LOOP WOMEN’S AND MEN’S COLLECTIONS S/S 2007









When the wind is strong, all it takes is a light touch on the rudder to change tack.
Something similar has happened to Killer Loops’ collection for next summer: tiny details, minimal modifications, changed proportions and … the brand has changed aspect, so much so that K-direction is now heart-shaped. Having abandoned the excesses that verged on sloppiness, there are the first signs of a new surf-skate-street style. It’s hard to say what exactly has changed, because the mood’s still the same. You need quick reflexes, concentration and sensitivity: precisely the attributes for a surfer.
Surf Turf. The air and flavour are those of the sea and holidays. For her, pastels on white and denim. Under, a bikini. Over, embroidered 70s’ muslins, flowery tops that seem faded because they’re printed on the inside, fine-striped polo shirts. Trousers are still low-slung, though the crotch is higher. For him, laminated prints on T-shirts full of inlays, topstitching, contrast piping; white, comfortable trousers and, above all, denim, army-canvas or cotton Bermuda shorts with faux tribal emblems. And, lastly, nylon Bermudas for riding the waves.
Urban hype. The angry young people have calmed down. Midnight-black, spraycan-black, gang-black, but… She mixes studs with rhinestones, adopts bubblegum-pink, little-girl-white, camo prints with butterflies and Lurex threads that appear on tops, T-shirts and mini shorts with an almost disco air. He, too, is covered in studs and wears a shiny satin bomber jacket, but he also displays unexpected, elegant touches: salmon-pink sweaters, helicopter-pilot trousers in Prince of Wales checks, embroidered shoulder tabs, a logo printed half on the front and half on the back, plain-coloured prints printed right-side-up or upside-down. And denim, washed with moderation.

Photo: Fabrica, F. Morandin
Source: press release KILLER LOOP

The New Goth


Available at www.net-a-porter.com
Fashion Edit:Vance Wood(RAY)

Friday, June 1, 2007

CELINE Spring/Summer 2007 Campaigns





Photography:Javier Vallhonrat
Source:press release CELINE

AN UNBEARABLE LIGHTNESS - CELINE SPRING / SUMMER 2007 RUNWAY SHOWS









“The opposition of lightness and weight is the most mysterious and ambiguous of all oppositions.”
Everything lies in the interplay of strength and weakness, the nexus of unbearable lightness. Lightness of appearance. Of Being. Oneself. Herself.Another.
A vulnerable appearance belies a secret warrior. Or the other way around. But the result is definitive luxury and chic. In a word, Parisian. The very definition of the modern woman.
Ivana Omazic, CELINE’s artistic director, dresses women as a woman. The collection expresses a sensuality without ostentation, one that is at once pragmatic and ethereal, and always extremely sophisticated.
Despite rigorous attention to cut, detail and strong, distinctly personal accessories, there is in Ivana Omazic’s designs a certain fragile, angelic quality. She calls it “The Wings of Desire”. It is a message addressed to women who embody strength as much as poetry.

The silhouette
Above all, the CELINE woman radiates a peaceful allure. The tension lies in the opposition of intriguing transparency and protective opacity of fragility and construction.
Volume and lightness constantly alternate.
Sun kissed legs unfold beneath dresses and shorts.
A jersey cardigan or a little biker jacket in taffeta are the pretext for flaunting gloriously long legs.
Slim pants with cuffed hems flatter the silhouette without weighing it down.
Transparent organdy dresses and t-shirts, topstitching and contours evoke a filigreed, almost immaterial, subliminal silhouette. The unbearable
lightness of being.
Ivana Omazic refreshes the classics and codes of CELINE.
“The Unbearable Lightness of Being”, Milan Kundera.

Fabrics

Second-skin jersey. Water repellent silk gabardine. Volatile parachute silk. Iridescent faille. Cloud-like taffeta. Chalk or metallic python. Translucent embroidery. Curled black-lacquered feathers.

Palette
Broken luminosity. Black shot through with light. Faux opaqueness. Refractions of skin.
Pale shades of stone, bone, chalk, opal, nude, mist, champagne, ash, optic white.

Accessories
The spring-summer 2007 Byblos moccasin remains two-tone but is now on a platform heel. A hollow heel, vertiginous wedge sandals in matte croc with straps in chocolate leather.
Strappy black sandals and red patent leather sandals elongate the silhouette.

The saddle-stitched strap of the new Bittersweet bag cinches its sensual curves. A small version steps out for evening in embroidered black satin and jet.
The Double Tote is two bags in one. Its inner pochette unclips to slip into a matte crocodile cover. It adapts its role to suit any circumstance. In grained calfskin or smooth powder, white and red leather.
The new Anatomic bag conceived as a round-the-clock companion. Zippered front and side pockets ensure perfect practicality. It makes its first appearance on the catwalk in glazed black python and white calfskin.

Photography:Antoine de Parseval et Frédérique Dumoulin
Source:press release CELINE